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Production produce dresses sundresses, bathrobes

Production produce dresses sundresses, bathrobes

What is the Style of Dress in Chad, Africa? Chad is a vast, diverse country made up of more than ethnic groups that mainly don a traditional dress. The largest groups are the Sara, who inhabit the subtropical regions to the south, and the Arabs, who are primarily Muslim. Many people are nomads or subsistence farmers, although some live in the urban areas of N'Djamena.

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How Arts and Crafts influenced fashion

VIDEO ON THE TOPIC: Pattern Cutting (Dress Making) 10 Finished Lace Robe

The Swirl story starts in Philadelphia with the L. Nachman and Son Company, which was located at 10th and Berks Streets. This company had produced clothing since the early days of the 20th century.

By they were making a product called the Neat 'N Tidy, which was a pinafore apron. In the Swirl dress and label were born. Actually, the Swirl was originally conceived as an apron. The wrap around apron was a common garment of the day. How the concept of an apron evolved into a dress is not known by me, at any rate!

It was a quick and easy way for a busy housewife to get dressed in a hurry for a trip to the market, or for a casual supper on the patio. As their slogan at the time put it, Swirl was Fantastic s Swirl with appliqued pockets. Photo courtesy of pintuckvintage. By , Jack Nachman, president of the company, was looking to relocate the Swirl operation.

I couldn't find a definite reason for this move, but two theories are proposed. First, they needed to be closer to where the cotton fabrics they were using were being produced. This would save transportation costs. Secondly, it's very likely that they wanted a cheaper source of labor, which was easily found in the non-unionized South. So Mr. Nachman went south, to Greenville, South Carolina.

Through business contacts there he settled on the little town of Easley, about 15 miles from Greenville.

The location was ideal. The town was in the middle of the cotton belt - the area where cotton was grown and then made into cloth. The textile industry was booming.

In fact, there were 67 factories producing cotton fabric in the Easley-Greenville area - factories eager to supply their product to a new clothing production plant. And labor costs were very cheap. Most of the people eventually employed at Swirl were women, and that combined with the absence of unions worked to keep wages low. The Nachman Company started construction on the Easley Textile Company as the new subsidiary was known in October, , and in January the new plant opened.

The plant was state of the art, with all new machines from Singer. This is interesting, because when a plant relocated in this fashion, it was usual for all the old machinery and equipment to be moved to the new location. By , the company was known as Swirl, Inc.

According to the local Chamber of Commerce, the money generated by the plant along with that from another new factory in town enriched the town coffers to the point where a long-delayed hospital project was finally finished. At the same time, the product line was expanded widely.

A wide variety of cotton print fabrics were readily available, and Swirl took full advantage of this. Swirls were made in hundreds of different fabrics, and were decorated with embroidery, applique, lace, piping, rick-rack, and a wide variety of trims. The basic shape of the dress was always the same, with a bodice and sleeves cut in one piece and a full, usually gathered, skirt. They used a signature "Swirl" button at the back of the neck. This one dress, the wrap model, was the sole product of the plant until At that time a second product, the Models Coat, was trademarked and produced by Swirl.

The Models Coat, which sounds glamourous, was just a straight cotton robe that snapped up the front. The Swirl wrap dresses were also made, but they were getting shorter, as the age of the miniskirt was looming.

By , the company could see that fashions were changing radically, and their product was quickly becoming out-moded. Plans were made to update the image of the company. As lifestyles changed, so did Swirl. In the s Swirl began making women's loungewear and developed different lines for a more diverse consumer base.

The first addition was the Park East label in Park East was used mainly on shift dresses, sort of in the Lilly Pulitzer mode. In came Swirl Girl, a younger, trendier line of casual dresses and loungewear.

They also started making them floor length, as the fashion for floor lenght dresses re-emerged in the s. In , the Concept 70s label was born, and along with it plans were made for Concept 80s. Concept 70s garments were often long and flowy, rather caftan-like, and they also made long, flowy jumpsuits. Also, starting in was Swirl with Maxime. Many of these s loungers were decorated in traditional Swirl style, with applique and trim, and usually cotton fabrics were used.

But as the decade progressed, Swirl started using polyester and synthetic blends. In lingerie designer Bill Tice was hired as the designer at Swirl, where he had his own label. He remained with the company until During the last part of the s, the fashion world was gripped by a surge of logo-mania. Designer jeans and logoed polo shirts and designers doing lingerie led Swirl to contract with Geoffrey Beene in to do a line for them. Soon, Oscar de la Renta was signed to do robes and nightgowns.

The signing of de la Renta, led to a law suit by Tice, who claimed that the company was favoring de la Renta's loungewear over his, and that was a violation of his contract. He eventually left the company over the dispute. By the end of the s, the main product at Swirl was the Models Coat. In , the first real signs of trouble for the company came when sewers were laid off and production curtailed.

The decline of the company occured slowly through the s, and in , Swirl announced that it would be closing its main facility. The remaining jobs were phased out, and the company closed the Easley factory for good in Today, that house coat, or duster, as my grandmother called it, is still being made in New York by Swirl II Ltd, using mainly imported fabrics.

The factory is located in Brooklyn, New York. Unusual Swirl with set-in sleeves. Usually when you see a Swirl dress advertised, it is described as being from the s. So how does one date a style that was made practically unchanged for 30 years? To further complicate matters, the Ty-Wrap label is sometimes found on s wrap dresses. Perhaps a cache of the old labels was found and put to use at that time. Probably one of the best ways to judge the age of a Swirl is by its length.

The later Swirls are considerably shorter in keeping with the shorter dress styles of the mid s. If you have a short Swirl that you think might be from the s, check the hem to be sure it has not been shortened. Also, later Swirls are often not as full through the waist as those of the mid s. Another thing to consider are pockets. Vintage-voyager's s Swirl has pockets that are sewn into the side seams. The early s Swirls had huge patch pockets. Later Swirls often had smaller pockets, one smaller patch pocket, or even no pockets at all.

Another clue might be the type of print and the colors used. Pink and yellow seem to be popular colors for Swirls, regardless of age, but pay attention to the details. The ultra feminine fabrics of the s gave way to darker colors and more somber prints in the early s.

This Swirl is probably mid s, judging by the length of the skirt. Last of all, there are some dresses from the mid s that are not wrap dresses at all. They sometimes zip up the front, and have a separate tie belt, and they do have the familiar Swirl label. The length, style and colors point toward the mid s for these dresses, and it's my guess that the Park East and Swirl Girl labels soon followed the se styles. Back to Fashion's Finest. Fuzzylizzie Home. All Rights Reserved. Perfect Pieces.

Material Matters. Fashions Finest. Early Swirl label. This s Swirl is in the vintage-voyager. Swirl with Maxime Caftan. Geoffrey Beene for Swirl dress. Hints for Dating the Swirl Wrap Dress Usually when you see a Swirl dress advertised, it is described as being from the s. First of all, look at the label. A later Swirl with shorter length and no pockets.

The contributors to Encyclopedia of National Dress: Traditional Clothing around the World examine clothing that is symbolic of the people who live in regions all over the world, providing a historical and geographic perspective that illustrates how people dress and explains the reasons behind the material, design, and style. The encyclopedia features a preface and introduction to its contents. Each entry in the encyclopedia includes a short historical and geographical background for the topic before discussing the clothing of people in that country or region of the world.

Jump to navigation. Knowledge and appreciation of these subjects help to preserve, disseminate, and promote elements of our common heritage of the Silk Roads. Regional differences, socio-economic and political factors, cultural variations, and climate all had a direct effect on clothing choices for those who lived throughout the expansive Silk Roads areas. Scholars, aristocrats, government officials, craftsmen, and farmers adopted a manner of dress appropriate for their immediate environment in medieval Central Asia. Although sparse, historical information regarding dress in the Eastern Islamic lands was usually provided by writers, geographers, and travelers. Differences in the style, finish, and quantity of materials were apparent in clothing of the rich and poor.

What is the Style of Dress in Chad, Africa?

There seems to be a problem serving the request at this time. Wearing vintage clothing as a fashion statement first started in the mids. Before that, old clothes were negatively perceived by attitudes going back to the Great Depression. But by the late s and s, wearing vintage clothing became a cool way to express yourself. To qualify as vintage, clothing must represent the period it came from.

History of Choir Robes

It is easier to visualize their clothing once you understand the unique way Egyptians drew the human form. We will look at the material, the various styles they wore, their makeup and finish with the scented cone. Many artists today, for example, want to show what something looks like to a person standing in a particular place. The artist uses relative size and shadow in order to show the required perspective.

Court biographies, popular lexicons, and the letters sent from the Mughal court to its Rajput allies reveal that the fabrics used for dress in early modern South Asia were valued for sensory qualities, such as softness, saturation of color, and coolness on the skin, that went beyond the cost of the materials or the sophistication of the technology used to produce them.

What did the Arts and Crafts movement offer the world of fashion? Not only craft production, natural motifs and a new style of jewellery but also a more modern template for women's clothes. The Arts and Crafts movement was driven more by a belief in a set of principles, than by developing a particular style. But this didn't mean that it had no influence on the world of fashion. Between the late 19th and early 20th century, Arts and Crafts practitioners produced a range of striking designs for women's garments, accessories and jewellery, as well as supporting the continuation of craft-based industries, and the development of the Dress Reform Movement. Craft production Supporting traditional, handmade production was a central Arts and Crafts principle. Many advocates of the Movement collaborated with rural workers to produce, for example, hand-woven rugs or rush-seat, ladder-back chairs. Many items were also produced in fabric — Lewis Foreman Day — , a decorative artist and industrial designer who was a leading figure in the Arts and Crafts movement, designed pieces for production by the East Devon Cottage Lace Industry, including intricate dress collars. Embroidery was another craft-based skill enthusiastically promoted by the Arts and Crafts community. Popularised by William Morris's standalone pieces and 'work it yourself' kits, embroidery was mainly done by women, and, increasingly in the late 19th-century, designed by them.

Aatise - we produce sustainable clothes in France

The Swirl story starts in Philadelphia with the L. Nachman and Son Company, which was located at 10th and Berks Streets. This company had produced clothing since the early days of the 20th century.

We've received numerous requests for information on the history of choir robes. A complete account of the origin and background history of choir gowns is beyond our research ability.

Annette Lynch , Mitchell D. The clothes we wear tell stories about us—and are often imbued with cultural meanings specific to our ethnic heritage. This concise A-to-Z encyclopedia explores different and distinct items of ethnic dress, their history, and their cultural significance within the United States. The clothing artifacts documented here have been or are now regularly worn by Americans as everyday clothing, fashion, ethnic or religious identifiers, or style statements. They embody the cultural history of the United States and its peoples, from Native Americans, white Anglo colonists, and forcibly relocated black slaves to the influx of immigrants from around the world. Entries consider how dress items may serve as symbolic linkages to home country and family or worn as visible forms of opposition to dominant cultural norms. Taken together, they offer insight into the ethnic-based core ideologies, myths, and cultural codes that have played a role in the formation and continued story of the United States. Her research focuses on the role of dress and appearance in negotiating gender role transformation and cultural change, particularly within the United States. Her book Dress, Gender and Cultural Change examined the role of dress worn within rites of passage in modifying and reinventing tradition and gender ideals for Hmong and African American teenagers and young adults. She has also written extensively on the mainstreaming of porn culture into fashion and identity constructions in the new millennium. Mitchell D.

Different grades were produced depending on the desired end product. The dress would extend from a few inches above the ankles to either just above In the New Kingdom many men and women adopted a robe which could be draped.

Collecting guide: Chinese robes

House of Lanvin French. Jeanne Lanvin was apprenticed to a milliner and a dressmaker before opening her own millinery shop in She expanded into dressmaking when her clients began asking for the ensembles in which she adorned her daughter, Marguerite di Pietro Her style embodied the femininity of youth in a most modern way with meticulous and relatively sparse surface embellishments and robe de style silhouettes, which could be worn by women of all ages. Lanvin's aptitude can be seen through her house's s expansion into fur, lingerie, men's wear, household goods and perfume. She even had the forethought to open her own dye factory which produced the inimitable 'Lanvin blue. The robe de style, which is often associated with Lanvin, is characterized by its dropped waist and wide skirts designed to resemble court dresses of the 18th century. The style safely hid the figure, which made it comfortable for clients of any age and shape. This particular robe de style's uncomplicated bold decoration and sculptural silhouette is unmistakably iconic of the s haute couture style of Lanvin.

When Worlds Collide

Why choose something close to your dream dress when you can create it? Plus, we offer an unprecedented refund policy. Our team of stylists, data scientists, and pattern-making experts will help you play to your strengths and ensure the perfect fit. Use the DressBuilder at every step of your journey to discover your perfect dress. Adjust every detail from neckline to train until your dream dress comes to life. Save all of sketches to your Lookbook, so no idea is ever lost! Schedule a complimentary Design Consultation to get expert tips to make sure your dress is a perfect match for your wedding vision, venue, body style, and budget.

Data Protection Choices

It ruled over a sprawling empire that survived nearly three centuries, and formed the territorial base for modern China. An apricot-ground embroidered 'Dragon' robe, Jifu, Qing dynasty, 19th century. In these politically fraught times, what you wore mattered. Official directions covered:.

Lady’s dress

The frosty winds have transcended the fabled world of Westeros. But closer home, Rashi Goil is too occupied to chill. The prominent Valyrian steel sword Longclaw — with a white wolf at its pommel — props loyally.

Cultural Selection: Clothing as a Reflection of Socio-economic Status and Regional Differences

Casemate Publishers Bolero Ozon. At the heart of this anthology lies the world of fashion: a concept that pervades the realm of clothes and dress; appearances and fashionable manners; interior design; ideas and attitudes.

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